MEMENTO MORI COLLECTION 2.0

In the second installment of the “Memento Mori” Collection, lies 26 miniature acrylic paintings set inside or on antiques ranging from the 17th century to the early 1940s. The artist intertwines a passion for portraiture with an enchantment for antiquity and art history. These frames were individually sought after across numerous international cities, each becoming a canvas for a meticulously crafted artwork, with some revealing double-sided paintings. This unique endeavor breathes new life into each piece while simultaneously dedicating it to the past.

The collection showcases a diverse array of subjects, from spoons to spectacles, gloves to face screens, and frames to brooches. Some pieces still retain inscriptions and symbolic tokens of affection from their respective eras. The paintings within the frames are executed on primed canvas in blends of acrylic paint, or painted directly onto the antiques with cautionary preparation and understanding of each item.

This collection pays homage to the Victorian tradition of “Lover’s eye” jewelry, a brief yet impactful trend from 1790 to 1820. I drew inspiration from this historical practice, where a miniature painting of the giver’s eye was discreetly gifted and worn publicly, concealing the lover’s identity. This nuanced nod to secrecy and intimacy adds a layer of intrigue to the pieces

Additionally, the collection delves into the ethos of the Memento mori period, particularly during the Victorian era. The Latin term “Memento Mori,” translating to “remember you must die,” takes center stage. The jewelry created during this period served as a poignant reminder of mortality and the imperative to lead a virtuous life.  The collection’s thematic resonance with this historical context provides a compelling narrative that echoes the essence of the past while infusing it through a contemporary lens.